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Lisa Cholodenko’s film explores the family dynamic of same-sex parents and their children’s desire to meet their father.

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The second film adaptation in Stieg Larsson’s trilogy finds salvation in the performance of lead actrees Noomi Rapace.

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It’s beautiful to look at, but watching this film is like thumbing through a coffee table book while waiting for dinner to be served at a boring party. Nothing happens.

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MicMacs is stunning to look at and delightful to see. There is tenderness is right in the middle of the story, beneath the gloss and behind the shimmer.

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Catherine Keener and Oliver Platt play a couple who sell what the dead leave behind. It’s like something out of a Woody Allen film, but with less artfulness and subtlety.

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It can’t be true. But it is true. As true as anything we might hope to be or become.

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